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Often dissed as slick, overly-produced music made by white men in the '70s, Yacht Rock actually resulted in some amazing pop music beyond Christopher Cross' "Sailing." Here are tracks that define the genre's rich, jazzy textures and irresistible melodies.
12 Songs, 1 hour, 1 minute
Featured artists, the doobie brothers, gerry rafferty, daryl hall & john oates, blues image, donald fagen, africa, middle east, and india.
Louis Armstrong said, “If you have to ask what jazz is, you’ll never know.” Duke Ellington said, “There are simply two kinds of music: good music and the other kind.” Christopher Cross said, “If you get caught between the moon and New York City, the best that you can do is fall in love.”
What do these pieces of wisdom add up to? Music, like love, doesn’t follow rules. Musicians as diverse as Armstrong, Ellington and Cross don’t want to be boxed in by genre. They want to write, record and perform and not spend time deciding if they play bebop or hard bop, blues or Southern rock, funk or disco.
But as temperatures heat up and people think of sailing away to find serenity, yacht rock playlists start to float in on the breeze. And that means drawing boundaries with enough latitude that artists don’t object to being boxed in and still foster playlists with a sense of meaning, a sense of continuity and depth. Peaks and valleys must be smartly balanced against the total annihilation of a common aesthetic. (Yes, despite a fascination with sailing and pina coladas, yacht rock can be taken seriously!)
And so, much to Armstrong’s chagrin, we have to ask, “What is yacht rock?” If it seems obvious, take a look at Spotify’s recent “Yacht Rock” playlist . Spotify is a global streaming leader with some 350 million monthly users, an army of music experts and cutting edge artificial intelligence, and yet the company filled its playlist with songs such as Tears for Fears ’ “Everybody Wants to Rule the World,” Rockwell’s “Somebody’s Watching Me,” Van Morrison ’s “Brown Eyed Girl” and Bruce Hornsby ’s “The Way It Is.”
If somebody wants to create and enjoy a stack of songs that runs from tunes by the J. Geils Band , to the Police , to Bad Company , to Talking Heads (yup, the company has all these artists on its playlist and even included Ray Parker Jr.’s “Ghostbusters”), they should do that with gusto! It sounds like an evening full of classic jams and fun left turns so cheers to the endeavor. But if a major player in the music business wants to do that and call it yacht rock, we need to take a step back and consider what is and isn’t yacht.
We know breezes, islands, keys, capes, cool nights, crazy love and reminiscing help define the yacht aesthetic (see works by Seals & Crofts , Jay Fergeson, Bertie Higgins, Rupert Holmes, Paul Davis, Poco , and Little River Band ). But let’s get beyond the captain’s caps and map the waters of this perfect-for-summer style.
Watch Bertie Higgins' Video for 'Key Largo'
Before 2005, people generally placed Toto ’s “ Africa ” and Holmes’ “Escape (The Pina Colada Song)” in the soft rock genre. Maybe if they were getting fancy, they’d call them AM Gold. But in 2005, the online video series Yacht Rock debuted. It fictionalized the careers of soft rock artists of the late ’70s and early ’80s. The cheeky show capitalized on the building renaissance of artists such as Steely Dan and Michael McDonald , who embraced the silliness of the series.
“When it came on I remember watching it pretty avidly,” McDonald admitted in 2018 . “My kids got a huge kick out of it. We would laugh about the characterizations of the people involved. At this point it’s a genre of its own. You’re either yacht or you're not.”
He might be right that you’re either yacht or you’re not. But calling it a genre doesn’t quite work (more on that in a minute).
Listen to the Doobie Brothers' 'Minute By Minute'
By the late ’60s, rock ‘n’ roll had become “art.” The Beatles started as simple teen heartthrobs covering early rock ‘n’ roll, but graduated to the supreme weirdness of the White Album . Chuck Berry gave birth to the Rolling Stones who gave birth to Led Zeppelin and the gonzo bombast of “Babe I’m Gonna Leave You.” And all sorts of acts went wild from the Grateful Dead , to Pink Floyd , to Frank Zappa and beyond. The sunshine of ’70s AM Gold came as a reaction to these wonderful excesses. Singer-songwriters aimed to take rock and pop back to the simple pleasures of tight, light tunes such as Beach Boys ’ classics, Motown hits and Brill Building-crafted songs.
Hippies looking for revolution and Gen X-ers on the hunt for rage, irony and sharp edges bristled at the genuine lyrics of tenderness and heartbreak neatly packaged in finely-crafted Top 40. Where the stars and fans of '60s and ’90s rock wanted arty and experimental music, anger and angst, yacht took listeners on a voyage powered by pure earnestness: think of the sincere and intense conviction of Dave Mason’s “We Just Disagree,” Captain & Tennille's "Love Will Keep Us Together," and “Love is the Answer” by England Dan & John Ford Coley.
(Which is why placing the Police or Talking Heads on any yacht mix doesn’t work.)
Yacht rock embodies the final charge of unbridled, heartfelt pop.
“I think these songs remain so popular because they are unabashedly pop,” Nicholas Niespodziani, leader of the hugely successful tribute band Yacht Rock Revue , explains to UCR. “They’re not self conscious. You couldn’t write a song like ‘Africa’ now. What are they even singing about? Who knows? But it’s fun to sing.”
Watch Captain & Tennille's Video for 'Love Will Keep Us Together'
Yacht rock doesn’t just have an earnestness to its lyrics, the sax solos come with the same level of sincerity.
If the style was the last gasp of unadulterated pop, it was also the dying breath of jazz’s influence on rock. Jazz rock started in the ’60s with Zappa, Chicago , Santana and Blood, Sweat & Tears , but slowly simple drums and growling guitars stomped horn lines and rhythmic shifts into the ground. However, yacht rock features echoes of swingin’ saxophones, big band horns and Miles Davis ’ fusion projects.
Yacht rock is very pop, but legitimate musical talents made those hooks. Chuck Mangione logged time in jazz giant Art Blakey’s band then took what he learned and crushed complex harmonic ideas into the pop nugget “Feels So Good,” which is basically a Latin-bebop-disco-classical suite. (If you dig “Feels So Good,” dig deeper and groove to smooth jazz mini-symphony “Give It All You Got.”)
Nearly every classic from the style features either an epic sax solo or dazzling guitar part. For horn glory, go spin Little River Band’s “Reminiscing,” Gino Vannelli’s “I Just Wanna Stop” or Grover Washington Jr. and Bill Withers ’ “Just the Two of Us." For six-string wizardry as astounding as anything Jimmy Page came up with (and much more economical), try Atlantic Rhythm Section’s “So Into You,” Pablo Cruise’s “Love Will Find a Way” and pretty much every Steely Dan cut.
(Which is why placing Tears for Fears’ “ Everybody Wants to Rule the World ” and Rockwell’s “Somebody’s Watching Me” on any yacht mix doesn’t work).
Watch the Little River Band's Video for 'Reminiscing'
Being a style, a feeling, an aesthetic, a vibe means that yacht rock can pull a song from a wide variety of genres into its orbit. It also means that it’s not just a catalog of hits from bearded white dudes. Yes, Kenny Loggins , McDonald and both Seals and Crofts helped define yacht rock. But quintessential songs from the style came from the women and artists of color, soul singers, folk heroes and Nashville aces.
For every Loggins' tune in a captain’s hat, there’s a Carly Simon track dressed up as your cruise director. Yes, there's Steely Dan's jazz influence, but also Crosby, Stills & Nash 's folk legacy (“Southern Cross” remains definitively of the style). Yacht rock playlists should also be littered with appropriate R&B gems, such as the Raydio’s “You Can’t Change That” (which features Ray Parker Jr.!), Hall & Oates ’ “Sara Smile” and Kool & the Gang’s “Too Hot.” Likewise, country acts of the era tried to go Top 40 while attempting to retain some twang and managed to make Love Boat music (see Juice Newton’s “Angel of the Morning,” Eddie Rabbit’s “I Love a Rainy Night,” Dolly Parton & Kenny Rogers ’ “Islands in the Stream”).
It’s hard to tell if the Commodores’ “Sail On” is pop or R&B, harder still to know if George Benson’s “Give Me the Night” is pop, R&B or jazz. But they both feel yacht.
(Which is why Santana can do psychedelic Latin music and can do yacht on “Hold On,” and why the Pointer Sisters can do new wave disco with “Neutron Dance” and yacht with “Slow Hand.")
Spotify was right to think about diversity when making its playlist, though the company got the type of diversity wrong. Yacht has some pretty specific sonic parameters, but has no demographic restrictions when it comes to the kind of artists contributing to the style’s catalog. That means when you hit the high seas of yacht, you don’t need to be afraid to fight for your favorites to be included, just please don’t have one of those favorites be “Ghostbusters.”
We began talking about drawing boundaries with enough latitude that artists don’t object to being boxed in. The wide latitude yacht rock affords matters because music comes to define eras and outlines cultural trends (remember that yacht came in reaction to art rock and that says a lot about the swing from the late '60s to the early '80s). Calling Christopher Cross soft rock might feel right, but it doesn't tell us much about where he was coming from and what he was trying to accomplish. Calling Cross yacht rock, now that we know it's not a pejorative, illuminates his aesthetic.
Cross came out of the Texas rock scene that produced blues aces the Vaughan Brothers and guitar shredder Eric Johnson (who plays on a lot of his albums). He loves Joni Mitchell and that shows in his craft. He's jazzy but not jazz (see those horns and guitar on "Ride Like the Wind") with a vibe that's completely yacht -- developed from the scene that took '60s pop, updated it and sheltered it from the trends of punk, metal, new wave and hip hop. The same can be said for Loggins, McDonald, Simon, Lionel Ritchie and so many others.
Spotify needs to tweak its algorithm so it gets this right. Or, better yet, connect with the genre-crossing vibe that makes yacht so unique.
More from ultimate classic rock.
Yacht Rock isn’t exactly a genre. It’s more a state of mind. It is the musical equivalent of a mid-afternoon mimosa nap in some nautical location—a cool breeze of lite-FM confection with the substance of a romance novel and the machismo of a Burt Reynolds mustache comb.
Yacht Rock is ‘70s soft schlock about boats, love affairs, and one-night stands.
Typified by artists like Christopher Cross, Rupert Holmes, and Pablo Cruise, Yacht Rock is not only easy to mock, but it’s also deserving of the abuse. There’s a sensitive 70s male brand of chauvinism that permeates this material—like somehow because you could schnarf an 8-ball of cocaine and sail a boat into the sunset, your indulgences and marital infidelity were actually kind of sexy. Cheap pickup lines and beardly come-ons abound.
And yet, this stuff is irresistible on a slow summer day. It reeks of sunshine and laziness, and couldn’t we all use a little of both?
These are the 25 Best Yacht Rock Songs, in order. Zero suspense. (Sorry if that’s less fun for you).
If you would like to learn more about Yacht Rock without getting a sailing license, read on…
So Yacht Rock refers to a type of soft rock, right? But there’s a ton of soft rock out there that doesn’t fit the bill. There’s no room on my boat for Barry Manilow. At the Copa? Sure. But not so much on my boat. So what makes a great yacht rock song exactly?
Ideally, one or more of these themes will be present:
These features pretty much capture everything that’s great about this milieu. But there’s also an important cheese factor at play here. While Steely Dan, Hall & Oates, CSN, and the Doobie Brothers all made songs that might qualify for inclusion here, the artists themselves are–let’s just say it–too good to be considered Yacht Rock.
We’ll make sure to include them in our deluxe playlist at the article’s conclusion.
But in order for a song to be considered for our list, it must be at least slightly embarrassing. Case in point, the top song on our list…
“The Pina Colada Song” is arguably the most perfect embodiment of yacht rock, fulfilling, as it does, all three of the qualifications cited above. Holmes sings about making love in the dunes, attempts to cheat on his wife, then ultimately, rediscovers that his “old lady” is actually the love he’s been searching for all along. That’s the holy trinity of Yacht Rock themes, all wrapped up in a breezy story of casual adultery. And at the turn of a new decade, listeners were feeling it. Released as a single in 1979, “Escape” stood at the top of the charts during the last week of the year. Falling to #2 in the new year, it returned to the top spot in the second week of 1980. This made it the first song to top the charts in two separate, consecutive decades. Fun fact: Rupert Holmes never drank a Pina Colada in his life. He just thought the lyric sounded right. Hard to argue that point.
Formed at Rutgers University in 1969, Looking Glass topped the charts in 1972 with the tale of a lovelorn barmaid in a harbor town haunted by lonely sailors. It would be the band’s only hit. Lead singer Elliot Lurie would go on to a brief solo career before becoming head of the music department for the 20th Century Fox movie studio in the ’80s and ’90s. That means he was the musical supervisor for the soundtrack to Night at the Roxbury . Do with that information what you will. And with respect to “Brandy,” see the film Guardians of the Galaxy 2 for Kurt Russell’s surprisingly detailed treatise on its lyrical genius.
The title track from the soft-rock duo’s breakout 1972 record, “Summer Breeze” is an incurable earworm, a bittersweet twilight dream that captures everything that’s right about Lite FM. From an album inhabited by Wrecking Crew vets and studio aces, “Summer Breeze” curls like smoke drifting lazily through an open window.
Toto singer David Paich had never been to Africa. The melody and refrain for this #1 hit from 1982 came to him fully formed as he watched a late night documentary about the plight of those living on the African continent. The lyrics touch on missionary work and describe the landscape as inspired by images from National Geographic , according to Paich’s own recollection. Putting aside its self-aware inauthenticity, “Africa” is an infectious, 8x platinum AOR monster.
Released in the summer of 1978 and reaching up to #3 on the Billboard Hot 100, “Reminiscing” was guitarist Graeham Goble ‘s nostalgic take on the swing band era. Not only is it the only Australian song ever to reach five million radio plays in the U.S., but rumor is that it was among the late John Lennon’s favorite songs.
Recorded originally by a country-swamp rocker named Jeffrey Kurtz, Dobie’s 1973 cover became his biggest hit, reaching #5 on the charts. Though not explicitly nautical, “Drift Away” captures the distinct sensation of cruising at sunset.
Pablo Cruise may have the most “yachty” of all band names on our list. And “Love Will Find a Way” is sort of the musical equivalent of a ketch skipping along a glassy surface on a crisp summer dawn. Pablo Cruise was formed in San Francisco by expats from various mildly successful bands including Stoneground and It’s a Beautiful Day. And there is a certain slick professionalism to the proceedings here. Of course, Pablo Cruise was never a critic’s darling. Homer Simpson once accurately classified them as wuss rock. Still, they perfectly captured the white-folks-vacationing-in-the-Caribbean energy that was all the rage at the time. Love found a way to reach #6 on the Billboard charts, remaining in constant radio rotation during the red-hot summer of ’78.
Blues Image emerged from South Florida in the late ’60s and served as the house band for Miami’s vaunted Thee Image music venue upon its inception in 1968. This gave Blues Image the opportunity to open for ascendant headliners like Cream and the Grateful Dead. The association landed them a contract Atco Records. Their sophomore record Open yielded their one and only hit, a #4 in 1970 about a bunch of men who disappear into the mists of the San Francisco Bay in search of a hippie utopia.
This #3 hit from 1982 has nothing to do with sailing. But it’s infectiously smooth production sheen, layered synth, and dreamy vocals make it a perfect Lite FM gem–one cut from the stone that gave us yacht rock. The “Project” was actually a British duo–studio wizard Alan Parsons and singer Eric Woolfson. The title track from their sixth studio album is also their very best recording. It’s also often paired with the instrumental lead-in “Sirius,” a song famous in its own right for blaring over unnumbered sporting arena PA systems. If that tune doesn’t make you think of Michael Jordan, you probably didn’t live through the late 80s.
Marty Balin was a pioneer of the San Francisco scene, founding Jefferson Airplane in 1965 as the house band for his own legendary club–The Matrix. But in 1971, deeply shaken by the death of Janis Joplin, Balin quit his own band. Four years later, he was invited to rejoin his old mates on the already-launched Starship. He immediately contributed what would become the biggest hit by any Jeffersonian vessel. “Miracles” reached #3 in 1975. Gorgeous, elegant, and open, this is a complete anomaly in the Airplane-Starship catalogue. Listen closely for the NSFW lyrics that have often flown under the radar of some adorably innocent censors.
In 1972, Robert John had a #3 hit with his cover of “The Lion Sleeps Tonight.” And yet, just before recording “Sad Eyes”, the Brooklyn-born singer was employed as a construction worker in Long Branch, New Jersey. By the summer of ’79, he would have a #1 hit. In fact, the charting success of “Sad Eyes” was part of a cultural backlash against the reign of disco. A wave of pop hits swept on to the charts, including this slick soft rock throwback. With his sweet falsetto and doo wop sensibility, Robert John knocked The Knack’s “My Sharona” from its 6-week stand atop the charts.
Before launching headlong into his music career, Walter Egan was one of the very first students to earn a fine arts degree from Georgetown, where he studied sculpture. The subject would figure into his biggest hit, a #8 easy listening smash from 1978. Featured on his second solo record, “Magnet and Steel” enjoys the presence of some heavy friends. Lindsey Buckingham produced, played guitar and sang backup harmonies with Stevie Nicks. By most accounts, Nicks was also a primary source of inspiration for the song.
Of course, not all yacht rock songs are about sailing on boats. Some are about missing boats. Boz Scaggs looks dejected on the cover of 1977’s Silk Degrees , but things turned out pretty well for him. This bouncy #11 hit is a classic rock mainstay today. The band you hear backing Boz–David Paich, Jeff Porcaro, and David Hungate–would go on to form the nucleus of Toto that very same year. Toto, as it happens, is essentially a recurring theme of the genre. Before rising to massive success in their own right, the members of Toto absolutely permeated rock radio in the 70s, laying down studio tracks with Steely Dan, Seals and Crofts, Michael McDonald, and more.
This smooth-as-silk tune reached #9 on the Billboard Hot 100 upon its 1978 release. It also reached #6 on the Hot Selling Soul Singles Chart. This is significant only because of Caldwell’s complexion. He was a white man signed to TK Records, a label most closely associated with disco acts like KC and the Sunshine Band. Catering to a largely Black audience, the label went to minor lengths to hide their new singer’s identity–dig the silhouetted figure on the cover of his own debut. Suffice it to say, once Caldwell hit the road, audiences discovered he was white. By then, they were already hooked on this perfect groove, which you might also recognize as a sample in 2Pac’s posthumous 1998 release, “Do For Love.”
Technically, Michael McDonald’s “I Keep Forgettin’” is an adaptation of an earlier tune by the same name. In fact, the original “I Keep Forgettin” was conceived by the legendary songwriting duo Leiber and Stoller–best known for iconic staples like “Hound Dog”, “Kansas City”, “Poison Ivy” and much much more. The original recording is by Chuck Jackson and dates to 1962. But McDonald’s 1982 take is definitive. If that wasn’t already true upon its release and #4 peak position on the charts, certainly Warren G. and Nate Dogg cemented its status when they sampled McDonald on “Regulate”. Get the whole history on that brilliant 1994 time capsule here .
Oh and by the way, this tune also features most of the guys from Toto. I know, right? These dudes were everywhere.
To the casual listener, Gerry Rafferty’s name may sound vaguely familiar. Indeed, you may remember hearing it uttered in passing in the film Reservoir Dogs . In a key scene, the DJ (deadpan comedian Steven Wright) mentions that Rafferty formed half the duo known as Stealers Wheel, which recorded a “Dylanesque, pop, bubble-gum favorite from April of 1974” called “Stuck in the Middle With You.” In the same scene, Mr. Blonde (portrayed with sadistic glee by Michael Madsen), slices off a policeman’s ear. At any rate, this is a totally different song, and is actually Rafferty’s biggest hit. “Baker Street” is a tune that reeks of late nights, cocaine, and regret. Peaking at #2 on the Billboard Hot 100, “Baker Street” soared on wings of the decade’s most memorable sax riff. Raphael Ravenscroft’s performance would, in fact, lead to a mainstream revitalization of interest in the saxophone writ large.
There are several interesting things about Silver that have almost nothing to do with this song. First, bass guitarist and singer Tom Leadon was both the brother of Bernie Leadon from the Eagles and a member of Tom Petty’s pre-fame band, Mudcrutch. Second, the band’s keyboardist was Brent Mydland, who would go on to become the Grateful Dead’s longest tenured piano guy. Third, Silver put out their only record in 1976, and future Saturday Night Live standout Phil Harman designed the cover art. With all of that said, Arista executives felt that their first album lacked a single so they had country songwriter Rick Giles cook up this ridiculous, gooey concoction that I kind of love. Let’s say this one falls into the “so bad it’s good” category. Anyway, the song peaked at #16 on the charts. The band broke up in ’78, leading Mydland to accept the deadliest job in rock music. He defied the odds by playing with the Grateful Dead until an accidental drug overdose claimed his life in 1990.
I admit, I’m kind of hard-pressed to make Ambrosia interesting. In fact, they were extremely prolific, and earned high regard in early ’70s prog rock circles. And in the 1990s, lead singer David Pack would actually be the musical director for both of Bill Clinton’s presidential inauguration concerts. But this Southern California combo is much better known to mainstream audiences for their top-down, hair-blowing-in-the-wind soft rock from the decade in between. Peaking at #3 on the Billboard Hot 100 in 1980, “Biggest Part of Me” is the group’s best-known tune–a seafoamy bit of blue-eyed soul served over a raw bar of smooth jazz and lite funk.
Player released their self-titled debut album in 1977 and immediately shot up to #1 with “Baby Come Back.” Bandmates Peter Beckett and J.C. Crowley had both recently broken up with their girlfriends. They channeled their shared angst into this composition, a self-sorry guilty pleasure featuring former Steppenwolf member Wayne Cook on keys. Granted, Steppenwolf’s edgy disposition is nowhere to be found on this record, but it is pretty infectious in a late-summer-night, slightly-buzzed, clenched-fist sort of way. Player endured various lineup changes, but never returned to the heights of their first hit.
Remember that scene in National Lampoon’s Animal House (1978) where there’s this dude in a turtleneck singing a super cloying folks song before John Belushi mercifully snatches away his guitar and smashes it to smithereens? That guy was Stephen Bishop, who was actually in the middle of enjoying considerable success with his 1976 debut album, Careless . “On and On” was the album’s biggest hit, a vaguely Caribbean soft-rocker that reached #11 on the Billboard Hot 100 in ’77. The gentle electric riffs you hear there are supplied by guitarist Andrew Gold–who wrote the theme song for the Golden Girls . (I freakin’ know you’re singing it right now).
The classic tale of boy-meets-girls, bangs-her-in-his-van, and brags-to-his-buds, all with backing from the world famous Wrecking Crew studio team. In 1975, a lot of people super related to it. It sold over a million copies and reach #5 on the Billboard Hot 100. I can’t tell you this song is good. But I also can’t tell you I don’t like it.
Firefall’s lead guitarist Jock Bartley perfectly captures this song’s impact, calling the band’s biggest hit “a singing version of [a] Hallmark card.” That feels right. The second single from Firefall’s 1976 self-titled debut was only a regional hit at first. But it was driven all the way to #9 on the Billboard Hot 100 on the strength of radio requests. As Bartley explained, “Every female between the ages of 18 and 24 wanted to be the woman portrayed in the song, and that caused their boyfriends and spouses to call radio stations and subsequently flood the airwaves with dedications of the song and the sentiment.”
Arguably, “Sailing” is the single most emblematic song of the Yacht Rock genre. Its thematic relevance requires no explanation. But it’s worth noting that the song is inspired by true events. During a tough time in his youth, Cross was befriended by Al Glasscock. Serving as something of an older brother to Cross, Glasscock would take him sailing. He recalls in his biggest hit that this was a time of escape from the harsh realities of his real life. In 1979, Cross released his self-titled debut. In early 1980, “Sailing” became a #1 hit, landing Cross a hat-trick of Grammys–including recognition as best new artist. Though Cross and Glasscock would lose touch for more than 20 years, they were reunited during a 1995 episode of The Howard Stern Show . Cross subsequently mailed a copy of his platinum record to Glasscock.
Apparently, this song was perceived as so blatant a ripoff of Michael McDonald and Kenny Loggins’ “What a Fool Believes” that legal action was actually threatened. It never formulated. Instead, Robbie Dupree landed a #6 Billboard Hot 100 hit with the lead single from his self-titled 1980 debut. Critics hated it, but it was a dominant presence in the summer of 1980. It even earned Dupree a Grammy nomination for best new artist. He ultimately lost to the man just above–Christopher Cross.
You didn’t think we’d get through this whole list without an actual Kenny Loggins tune. This song has the perfect pedigree, teaming Loggins and Michael McDonald on a 1979 composition that became the lead single off of Kenny Loggins’ Keep the Fire. Coming on the tail end of the ’70s, “This is It” felt positively omnipresent in the ’80s. I may be biased here. I grew up in Philadelphia, where a local television show by the same name adopted “This is It” as its theme song. But then, it did also reach #11 on the Billboard Hot 100.
And in that spirit…this is it, the end of our list.
But as usual, here’s a bonus playlist–an expanded voyage through the breezy, AOR waters of the mid-’70s to early ’80s.
Jacob Uitti
Yacht rock is one of those genres of music that you know when you hear it. It’s a combination of a lot of styles, from rock to jazz to blue-eyed soul to disco, but in the end what it constitutes is smooth music that gives you a jolt and a reason to start moving your feet. Even if those feet are in deck shoes planted firmly on a giant boat in the middle of the ocean.
Here below, we wanted to, ahem, dive into three songs from the genre that still get the boat a-rocking. A trio of tracks that boast the appeal of the genre as well as legitimate staying power. Indeed, these are three eternal yacht rock songs that continue to inspire the boatside dance moves.
[RELATED: Yacht Rock Essentials: “Time Passages,” the Smash Hit Al Stewart Wrote and Performed but Never Much Liked]
Believed by many to be the quintessential yacht rock song, this track, which hit No. 1 on the Billboard Hot 100 chart, has it all: a sharp-yet-mellow singing voice, drifting musical melodies, and a poignant delivery. Couple that with the title and this song becomes the top track to put on your yacht rock playlists. It’s like melding into an ocean breeze and finding yourself traveling from shore to island and back again. Not only was this track a success on the charts but it won Cross Grammys for Record of the Year, Song of the Year, and Arrangement of the Year. He also garnered the Best New Artist award, too. On the floating single, he sings,
Well, it’s not far down to paradise At least it’s not for me And if the wind is right you can sail away And find tranquility Oh, the canvas can do miracles Just you wait and see, believe me
It’s not far to never never land No reason to pretend And if the wind is right you can find the joy Of innocence again Oh, the canvas can do miracles Just you wait and see, believe me
If we’re talking yacht rock, why not offer a song that gives listeners a far-off destination to think of. And for those listening in the Western world, the continent of Africa is just that. This track from Toto is one of those that music listeners love to sing along to, especially when it comes to the chorus. Its synthesizers and vocal harmonies are catnip to yacht rock fans—and, really, music fans of any kind. On the compelling track, David Paich sings,
I hear the drums echoing tonight But she hears only whispers of some quiet conversation She’s coming in, 12:30 flight The moonlit wings reflect the stars that guide me towards salvation
I stopped an old man along the way Hoping to find some old forgotten words or ancient melodies He turned to me as if to say, “Hurry boy, it’s waiting there for you”
When it comes to blending rock with disco and soul, perhaps no group did it better than Hall & Oates and this track is one of the prime examples of that. A toe-tapper and easy-listener, this song is driven by pianos and percussion but is accentuated by Daryl Hall’s bright, soaring voice. If you’re ever on a boat and in charge of the music, if you put this song on the playlist, just sit back and watch your fellow travelers begin to sing and get down with big smiles on their faces as this tune plays. It’s the perfect balance of pop stickiness and yacht rock flavor. On the track, Hall sings,
(Because your kiss) your kiss is on my list Because your kiss is on my list of the best things in life (Because your kiss) your kiss is on my list (Because your kiss) your kiss I can’t resist (Because your kiss) is what I miss when I turn out the lights
I go crazy wondering what there is to really see Did the night just take up your time, ’cause it means more to me Sometimes I forget what I’m doing I don’t forget what I want, what I want Regret what I’ve done, regret you, I couldn’t go on
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Photo by Monday Jr./ Mad Ink PR
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July is here and it’s prime season for Yacht Rock Songs. Time to sit back on your yacht, or ummm dingy, and listen to the smooth sounds from the mid-70s to the mid-80s, with temp hopefully right there as well. The seagulls cry the white caps slap against the fiberglass hull, and you hold your glass of buttery chard oh so gently while inspecting those bikinis. It’s a tough job, but somebody’s yachtta do it!
According to AllMusic , Yacht Rock is a broad music style and aesthetic commonly associated with Soft Rock, one of the most commercially successful genres from the mid-1970s to the mid-1980s. Drawing on sources such as Smooth Soul, Smooth Jazz, R&B, and Disco. Meanwhile, common stylistic traits include high-quality production, clean vocals, and a focus on light, catchy melodies. [6] The term yacht rock was coined in 2005 by the makers of the online video series Yacht Rock , who connected the music with the popular SoCal leisure activity of boating. It was considered a pejorative term by some music critics.
Furthermore, In 2014, AllMusic ‘s Matt Colier identified the “ key defining rules of the genre :”
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This is 100 percent my own opinion. Top Ten does not leave a lot of room for error. I consider myself a pretty solid Yacht Rocker, and quite the musicologist. However, in the rare case you feel I make a mistake and leave off one of your Yacht Rock favs, have my people call your people and we’ll get together off the coast of Island Beach State Park for some Sangria and Cheese, and a little Yacht Rock, of course!
By The By, Lovey, if you’re looking for the perfect Yacht Rock swag to rock this summer, check this article out!
Plus if you need a place to dry dock and yacht rock, here’s a spot that Yachts every Sunday all summer long!
The late great former front man of Stealers Wheel, had later solo success with this and a few other songs. However, there is no way Gerry could have known his Saxophone anthem balancing life and love while living in London, would go on to become the Stairway To Heaven of Yacht Rock.
https://www.youtube.com/watch?v=dU6w56epBdc
If Baker Street is the Stairway of Yacht Rock, this most certainly is the Layla. A 1979 masterpiece about a boy and his sailboat that Cross has said was inspired by sailing with his older friend. Ridiculed throughout the 80s as a symbol of 70’s schmaltz, it has found life and love as a Yacht Rock staple for a whole new generation.
The oldest of our Top 10, this song was released in the late summer of 1972, and immediately became a top 10 hit on the Billboard charts. It screams Summer, and beachy vibes, and of course the smell of Jasmine and the line “July is dressed up and playing her tune” cannot be denied as all time Yacht Rock.
The song most people who know nothing about Yacht Rock, most closely associate Yacht Rock with. Now that’s fine, and yes it is an all time great Yachtty classic, but think of it as your gateway drug to so much more: Next you’ll be wearing a captains hat and a Hawaiian shirt.
The New England Patriots of Yacht Rock songs right here my friends. Too much of a good thing can be dangerous. Great band, great song, but it’s flown way too far over the radar for way too long. Still, It’s gonna take a lot to drag me away from singing along.
A few years before they were blessing the rains down in Africa, the boys from Toto were much sought after studio musicians. They helped good ol Boz on this 1977 super hit, that has gone on to become the go to song for doing Green Tea shots on the deck before the Saturday Night fireworks kick in. And I quote: “Whoa Whoa Whoaoooo ooooo oooooo”
Old George really came through for the soft rock/jazz world with this 1976 classic. Plus it’s the perfect Yacht Rock song for some early morning Mimosas and below deck nookie.
Kind of a toss up here between FM and Do It Again, but this has more of a party feel so I’m going with the kicking off of the high heel sneakers, and the grapefruit wine. Hey don’t knock it til ya try it on the bow at sunset, baby!
You can have heartache, just as long as it has a good groove and doesn’t bring the party down. Just ask Hall and Oates, they do it here to a tee. Talk to Isaac about your problems buddy, or whatever your yacht’s bartender is named.
What can I say. The man is the muse of a genre. With apologies to great Yacht Rock songs like Brandy, What A Fool Believes, Couldn’t Get It Right, and just about the entire catalog from Pablo Cruise, Ride Like The Wind is just captivating when you listen to it out on the bay doing 12 knots. Plus, at least we get our daily dose of Michael McDonald in!
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Defining yacht rock.
Yacht rock songs are a genre of music that emerged in the late 1970s and early 1980s. It is characterized by its smooth, melodic sound and often features elements of soft rock, jazz fusion, and R&B. The term 'yacht rock' was coined in reference to the type of music that would be played on luxury yachts during leisurely cruises. Artists such as Michael McDonald, Christopher Cross, Kenny Loggins, and Toto became synonymous with yacht rock due to their popular hits during this era.
For boaters, yacht rock songs hold a special appeal as they provide the perfect soundtrack for sailing or cruising on the open waters. The smooth melodies and laid-back rhythms create an ambiance that complements the serene environment of being out at sea. Whether it's a relaxing day spent sunbathing on deck or enjoying a sunset cruise with friends and family, yacht rock songs enhance the overall experience by adding an element of sophistication and tranquility to boating adventures.
Yacht rock has produced some iconic artists who have left an indelible mark on the genre. Michael McDonald is one such artist whose soulful voice contributed greatly to defining yacht rock's sound. His hits like 'What a Fool Believes' and 'I Keep Forgettin' (Every Time You're Near)' became instant classics within the genre. Another notable icon is Christopher Cross whose Grammy-winning song 'Sailing' epitomizes yacht rock with its smooth vocals and breezy instrumentation. Kenny Loggins also made his mark with chart-topping hits like 'Danger Zone' from Top Gun soundtrack which showcased his versatility as both a yacht rock and pop-rock artist. Toto's 'Africa' is another iconic yacht rock song that has stood the test of time with its catchy hooks and infectious rhythms.
The rise of yacht rock in the 70s and 80s.
Yacht rock, a subgenre of soft rock that emerged in the 1970s and 1980s, gained popularity for its smooth melodies, polished production, and laid-back vibe. The genre was characterized by a fusion of elements from pop, R&B, jazz, and soul music. Yacht rock songs often featured catchy hooks, lush harmonies, and intricate arrangements. Artists like Christopher Cross, Michael McDonald, Toto, Hall & Oates were prominent figures in this genre.
Several key albums and songs played a significant role in shaping the yacht rock movement. One notable album is Christopher Cross' self-titled debut album released in 1979. It featured hit singles like "Sailing" and "Ride Like the Wind," which became iconic yacht rock songs. Another influential album was Michael McDonald's "If That's What It Takes" released in 1982. The album included popular tracks such as "I Keep Forgettin' (Every Time You're Near)" and "Sweet Freedom." These albums showcased the smooth sound that defined yacht rock.
"Yachting” culture heavily influenced the rise of yacht rock through radio airplay on stations like K-ROQ Los Angeles during drive-time commutes or while sailing along coastlines aboard luxurious yachts listening to their favorite tunes via satellite radios. Television shows like 'WKRP In Cincinnati,' featuring memorable characters who embodied both sides–land-based disc jockeys spinning hits at local nightclubs while broadcasting personalities manning shipboard stations entertaining guests cruising onboard luxury vessels–contributed significantly to spreading awareness about yacht rocks amongst general audiences.
Classic hits that define the genre.
Yacht rock is a genre of music that emerged in the late 1970s and early 1980s, characterized by smooth melodies, polished production, and sophisticated lyrics. The classic hits of yacht rock define the genre and continue to be beloved by fans today. Songs like 'Sailing' by Christopher Cross, 'What a Fool Believes' by The Doobie Brothers, and 'Ride Like the Wind' by Christopher Cross are iconic examples of yacht rock at its best.
While yacht rock has its well-known classics, there are also hidden gems waiting to be discovered. These often overlooked songs capture the essence of yacht rock with their smooth grooves and infectious hooks. One such gem is 'Steal Away' by Robbie Dupree - a catchy tune that transports listeners to sunny coastal destinations. Another hidden gem is 'Cool Change' by Little River Band, which evokes feelings of relaxation and escape. Exploring these lesser-known tracks can provide new insights into the breadth and depth of yacht rock's musical landscape.
'Yacht or Nyet?' - A question posed to modern audiences who may not be familiar with yacht rock's distinctive sound but are open to discovering it for themselves. Yacht rock songs have endured over time due to their timeless appeal and ability to resonate with listeners across generations. Artists like Michael McDonald continue to create music that captures the spirit of yacht rock while appealing to contemporary sensibilities. Tracks such as 'Hail Mary' from his latest album showcase how yacht-rock-inspired sounds can still find relevance in today's musical landscape.
Recent yacht rock influences in music.
Yacht rock songs have had a significant influence on recent music trends. Many modern artists have drawn inspiration from the smooth sounds and laid-back vibes of yacht rock, incorporating elements of this genre into their own songs. The popularity of yacht rock has led to a resurgence in similar styles such as soft rock and adult contemporary. Artists like Bruno Mars, Daft Punk, and Pharrell Williams have all released songs that pay homage to yacht rock with their catchy melodies, polished production, and nostalgic feel.
The enduring appeal of yacht rock has inspired numerous covers and remixes by both established artists and up-and-coming musicians. These reinterpretations breathe new life into classic yacht rock songs while introducing them to younger audiences. Popular covers include Michael McDonald's rendition of 'What A Fool Believes' by The Doobie Brothers and Toto's version of 'Africa' originally performed by themselves. Remixes often infuse the original tracks with modern beats or give them a fresh electronic twist, appealing to fans across different genres.
Yacht rock-themed parties and events are becoming increasingly popular among music enthusiasts who want to experience the nostalgia of this iconic era firsthand. These parties often feature live bands or DJs playing a curated selection of yacht rock classics alongside other hits from the '70s and '80s. Attendees dress up in nautical-inspired outfits complete with captain hats, striped shirts, boat shoes, and oversized sunglasses to fully embrace the yachting lifestyle aesthetic. Decorations include anchor motifs, palm trees, inflatable pool floats shaped like sailboats or dolphins; creating an immersive atmosphere reminiscent of sunny coastal retreats.
Essential tracks for your boating adventure.
When it comes to setting the right mood for your boating adventure, having a playlist of yacht rock songs is an absolute must. These smooth and melodic tracks will transport you to a place of relaxation and nostalgia as you sail across the open waters. From classic hits like Christopher Cross' 'Sailing' to newer releases from artists like Michael McDonald, there are plenty of options to curate the perfect soundtrack for your journey.
Curating a mix of classics and new hits is key when creating a yacht rock playlist. This genre encompasses both timeless favorites that have stood the test of time and modern tracks that capture the essence of yacht rock. Including iconic songs such as Toto's 'Africa' or Kenny Loggins' 'Danger Zone,' along with contemporary gems like Mayer Hawthorne's 'The Walk,' will provide a balanced blend that appeals to all generations aboard your vessel.
Thanks to streaming services and dedicated yacht rock stations, accessing an extensive collection of these smooth tunes has never been easier. Platforms like Spotify, Apple Music, or Pandora offer curated playlists specifically tailored to yacht rock enthusiasts. Additionally, radio stations such as SiriusXM's Yacht Rock Radio channel provide round-the-clock access to this beloved genre. So whether you prefer crafting your own personalized playlist or tuning in directly through one of these platforms, there's no shortage of options for enjoying the soothing sounds while out on the water.
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Series: Piano/Vocal/Guitar Songbook
32 smooth and mellow songs arranged for piano, voice and guitar, including: Baby Come Back • Come Sail Away • Doctor, My Eyes • Escape (The Pina Colada Song) • How Long • I Keep Forgettin' (Every Time You're Near) • Peaceful Easy Feeling • Sailing • Summer Breeze • This Is It • Thunder Island • What a Fool Believes • and more.
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Each week we’re featuring a playlist to get your mind going and help you assemble your favorites. This week we take a deep dive into the soft rock hits of the late ’70s and early ’80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champagne on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 and has developed a cult following. Artists most commonly thought of in the Yacht Rock era include Michael McDonald, Ambrosia, 10cc, Toto, Kenny Loggins, Boz Scaggs, and Christopher Cross. Yacht Rock has become the muse of a great number of tribute bands and is the current subject of a short-run channel on Sirius XM.
Here is a stab at the Top 100 Songs of Yacht Rock — not necessarily in rank order, with a few more added for honorable mention. We welcome your comments. What songs are ranked too high? What songs are ranked too low? What songs are missing? Make your case. Also, please let us know concepts for playlists you’d like to see — or share a favorite list of your own.
Artist | Title | |
---|---|---|
1 | Steely Dan | Hey Nineteen |
2 | Herb Alpert | Route 101 |
3 | Robbie Dupree | Steal Away |
4 | Jan Hammer Group | Don't You Know |
5 | Blues Image | Ride Captain Ride |
6 | Toto/Cheryl Lynn | Georgy Porgy |
7 | Gerry Rafferty | Right Down The Line |
8 | Paul Young | Every Time You Go Away |
9 | Boz Scaggs | Jojo |
10 | Johnny Nash | I Can See Clearly Now |
11 | Daryl Hall/John Oates | Sara Smile |
12 | Orleans | Dance With Me |
13 | Olivia Newton John | Magic |
14 | Seals & Crofts | Summer Breeze |
15 | Lionel Richie | All Night Long |
16 | Fleetwood Mac | You Make Loving Fun |
17 | Steely Dan | Deacon Blues |
18 | Christopher Cross | Ride Like The Wind |
19 | Little River Band | Cool Change |
20 | Jackson Browne | Somebody's Baby |
21 | 10cc | Dreadlock Holiday |
22 | Dr. Hook | When You're In Love With A Beautiful Woman |
23 | Boz Scaggs | Lowdown |
24 | Player | This Time I'm In It For Love |
25 | Fleetwood Mac | Everywhere |
26 | Steely Dan | Peg |
27 | Todd Rundgren | I Saw The Light |
28 | Gerry Rafferty | Baker Street |
29 | Eagles | One Of These Nights |
30 | James Ingram | Yah-Mo Be There |
31 | 10cc | I'm Not In Love |
32 | Ambrosia | Biggest Part Of Me |
33 | Terri Gibbs | Somebody's Knockin' |
34 | Atlanta Rhythm Section | So In To You |
35 | Boz Scaggs | Lido Shuffle |
36 | Steve Miller Band | Wild Mountain Honey |
37 | Michael McDonald | I Gotta Try |
38 | Matthew Wilder | Break My Stride |
39 | England Dan & John Ford Coley | I'd Really Love To See You Tonight |
40 | Player | Baby Come Back |
41 | Kenny Loggins | This Is It |
42 | Michael McDonald | I Keep Forgettin' (Every Time You're Near) |
43 | Toto | Rosanna |
44 | Daryl Hall/John Oates | Kiss On My List |
45 | The Doobie Brothers | What A Fool Believes |
46 | Christopher Cross | Sailing |
47 | Loggins & Messina | Watching The River Run |
48 | Eagles | The Long Run |
49 | Looking Glass | Brandy (You're A Fine Girl) |
50 | Bread | Everything I Own |
51 | Steely Dan | Reelin' in the Years |
52 | Joe Jackson | Steppin' Out |
53 | Jackson Browne | Doctor My Eyes |
54 | Sanford & Townsend | Smoke from a Distant Fire |
55 | Bobby Caldwell | What You Won't Do For Love |
56 | Fleetwood Mac | Rhiannon |
57 | Ace | How Long |
58 | Daryl Hall/John Oates | Rich Girl |
59 | Toto | Africa |
60 | Steely Dan | Do It Again |
61 | Bertie Higgins | Key Largo |
62 | Rupert Holmes | Escape (The Pina Colada Song) |
63 | Little River Band | Reminiscing |
64 | Jimmy Buffett | Margaritaville |
65 | Fleetwood Mac | Dreams |
66 | Firefall | Just Remember I Love You |
67 | Eagles | I Can't Tell You Why |
68 | Eagles | The Best Of My Love |
69 | Eagles | Take It To The Limit |
70 | Eagles | Tequila Sunrise |
71 | Chicago | Saturday In The Park |
72 | Bob Welch | Sentimental Lady |
73 | America | Sister Golden Hair |
74 | America | A Horse With No Name |
75 | Ambrosia | How Much I Feel |
76 | Alan Parsons | Eye In The Sky |
77 | Air Supply | Lost In Love |
78 | Steely Dan | Dirty Work |
79 | Steely Dan | Only A Fool Would Say That |
80 | Orleans | Still The One |
81 | Stephen Bishop | Sinking In An Ocean Of Tears |
82 | 10cc | The Things We Do For Love |
83 | America | Ventura Highway |
84 | Al Stewart | Year Of The Cat |
85 | Bread | Baby I'm A Want You |
86 | Firefall | You Are The Woman |
87 | George Benson | Gimme The Night |
88 | Barbara Streisand/Barry Gibb | Guilty |
89 | Christopher Cross | Arthur's Theme |
90 | Marty Balin | Hearts |
91 | Poco | Barbados |
92 | Daryl Hall/John Oates | I Can't Go For That (No Can Do) |
93 | Al Stewart | Time Passages |
94 | Jay Ferguson | Thunder Island |
95 | Dr. Hook | Sexy Eyes |
96 | Donald Fagen | I.G.Y. |
97 | Michael McDonald | Gotta Try |
98 | Bread | Make It With You |
99 | Pablo Cruise | Whatcha Gonna Do |
100 | Doobie Brothers | Dependin' On You |
101 | Ozark Mountain Daredevils | Jackie Blue |
102 | Pablo Cruise | Love Will Find A Way |
103 | Starbuck | Moonlight Feels Right |
104 | Billy Ocean | Caribbean Queen |
105 | Linda Ronstadt | Ooh Baby Baby |
106 | Hues Corporation | Rock The Boat |
107 | Loggins & Messina | Danny's Song |
108 | Rupert Holmes | Answering Machine |
109 | Stephen Bishop | On And On |
110 | Bread | The Guitar Man |
111 | Seals & Crofts | Diamond Girl |
112 | Air Supply | Even The Nights Are Better |
113 | Ambrosia | You're The Only Woman |
114 | George Benson | Breezin' |
115 | Daryl Hall/John Oates | She's Gone |
116 | Dave Loggins | Please Come To Boston |
117 | Rickie Lee Jones | Chuck E.'s In Love |
118 | Captain/Tennille | Love Will Keep Us Together |
119 | Dr. Hook | Better Love Next Time |
120 | Chilliwack | I Believe |
121 | Crosby, Stills & Nash | Southern Cross |
122 | Climax Blues Band | Couldn't Get It Right |
123 | Gilbert O'Sullivan | Alone Again (Naturally) |
124 | America | Daisy Jane |
125 | Beach Boys | Sail On, Sailor |
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Jon calderas .
The Doobie Brothers have been around in various permutations since 1970, but this tour is a bit special because Michael McDonald is joining founding members Tom Johnston and Patrick Simmons this go around. Over the course of the evening, all three members took turns doing vocals as they curated their long back catalog. Riverbend was packed on what turned out to be a terrific evening weather-wise.
The Doobies came out swinging with the one-two combo of the Motown raveup “Take Me in Your Arms (Rock Me a Little While)” and the swampy funk of “Here to Love You”.
The raucous crowd stood and clapped as the band settled into their groove.
Throughout the night, videos of the younger band played behind them as they careened through various musical styles – the countryish “Cannonball,” the rocking “Sweet Maxine” (faster and tougher than expected), the Sam-and-Dave mojo of “Eyes of Silver,” the Cajun vibe of “World Gone Crazy." This is a tight, tight band and they’ve honed their act to razor sharpness over five decades.
It was great to see Michael McDonald back with them, playing keys and singing leads on select songs. That iconic voice has weathered like bluff granite and is still unmistakable. I’m a huge fan of his voice and it’s the soundtrack for my summer (SiriusXM Yacht Rock station bumper: “If you changed your wi-fi network name to Michael McDownloads, you’re having a yacht rock summer”). On record, “You Belong to Me” is smoky and soulful, with ample space for McDonald’s voice to linger. Live, it was overlayed with an opening sax solo, and the song was roughed up to incorporate the rest of the band. “It Keeps You Running “was funkier and had more swagger than the recorded version, which was a bit jarring. But, “Minute by Minute” was terrific and gelled well. Still great, but I would have liked to hear the songs breathe a bit more and let his iconic voice shine a bit more.
The Doobies closed out the main set a strong run: a go-to-church “Jesus is Just Alright with Me” (replete with giant projected stained-glass windows), “What a Fool Believes,” an epic “Long Train’ Runnin’” that highlighted the entire band and the FM radio staple “China Grove.”
For the encore, they dove into the folksy classic, “Black Water;” noticing the full moon above, they sang, “Ohio moon, won’t you keep on shining on me” as acoustic guitar and fiddle laced the air. The concert closed out with a soulful version of “Takin’ It to the Streets” (where McDonald’s voice matched perfectly with the band) and a rousing “Listen to the Music.”
Opener Steve Winwood has been in the biz since he broke out at fifteen with The Spencer Davis Group. Winwood can still rip through that group’s “I’m a Man” and “Gimme Some Lovin’” like a teen, but it’s a joy to see him revisit eclectic material from Blind Faith, Traffic, and his long solo career (Traffic’s “Forty Thousand Headmen” was a cool, left-field choice). Last night he joined a band appointed with sax, flute, congas, drums, piano, organ, and his daughter Lily as backup singer.
At 76, Winwood is a master musician and whether it was playing the urgent cascading piano trill opening of “Glad” or singing and playing guitar against the fingerpicking melancholy of “Can’t Find My Way Home”, he was in total control of the pulse of the set. It seemed like everyone in the band was a crack musician-trading off instruments (piano, organ, guitar, mandolin as needed). The highlight of the hour-long set was “Dear Mr. Fantasy”. The band stretched the Traffic classic out into a long jam, allowing Winwood to rip off several scorching electric guitar solos. I always think of him as a keyboard player (easy to do when you spend time in a band with Dave Mason), but Winwood is a damned fine guitar player as well. The guy can do it all.
It would have been nice to hear more of his latter-day solo career material, but with a short opening set, “Roll with It,” “Higher Love,” and “Back in the High Life Again” were all he could squeeze in. A stellar, satisfying set, nonetheless, and a great setup for The Doobies.
Jon Calderas lives in Cincinnati and is passionate about music, photography and writing. He’s thrilled to be able to shoot and write for CincyMusic and help promote our vibrant music scene. When he’s not talking about himself in the third person, you can find him out at gigs. Come up and say hi, he’d love to meet you.
The Doobie Brothers / Steve Winwood at Riverbend Music Center
IMAGES
COMMENTS
20. "Brandy (You're a Fine Girl)," Looking Glass (1972) Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town ...
5. Escape (The Piña Colada Song) - Rupert Holmes. The second tune in our top ten that found its way onto one of the three Guardians of the Galaxy soundtracks—as well as its original LP release—comes from yacht rock icon Rupert Holmes. Escape (The Piña Colada Song) tells a story that feels more comical today than it might have in the ...
The 20 greatest yacht rock songs ever, ranked. 27 July 2022, 17:50. The greatest yacht rock songs ever. Picture: Getty/Michael McDonald/Michael Jackson ... But using a repeating piano riff, 12-string guitar, and an orchestral string arrangement, this song just screams yacht rock and all that is great about it.
Lindsey Buckingham produced, played guitar and sang backup harmonies with Stevie Nicks. By most accounts, Nicks was also a primary source of inspiration for the song. 13. "Lido Shuffle" by Boz Scaggs. Of course, not all yacht rock songs are about sailing on boats. Some are about missing boats. Boz Scaggs looks dejected on the cover of 1977's ...
Escape (The Pina Colada Song) - Rupert Holmes. The hit song 'Escape (The Pina Colada Song)' is a must for any yacht rock playlist. Rupert Holmes originally titled the tune 'People Need Other People,' and if you listen closely to the lyrics, they paint the picture of a couple in turmoil despite its cheery melody.
This week we take a deep dive into the soft rock hits of the late '70s and early '80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champaign on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 ...
Yacht Rock top charts and more of your top songs of the year 2023 including 'Right Down the Line", "Everywhere", "On the Beach", "Summer Breeze", "Reelin' in...
THE 101 GREATEST YACHT ROCK SONGS! 101. NOTHIN' YOU CAN DO ABOUT IT [Airplay; 1980; Chart Position on the Billboard Hot 100: N/A] ... who played guitar on the Yacht Rock classic, "Peg." And as you ...
Yacht Rock Guitar Lessons. 1970s and early 1980s radio classics. A little more complex harmony that typical FM rock, but still soulful. Hall and Oates, Micha...
Playlist · Yacht Rock - 100 Best Ever - Top Yacht Rock Songs · 113 songs · 2.1K likes.
YACHT ROCK | TOP 100 SONGS. Filtr. Preview. 70s + 80s Soft Rock for a day on the boat. Island tunes, chill summer hits + nothing but smooth sailing while jamming to hits from TOTO, Looking Glass, Billy Joel, Hall & Oates + more. 101 Songs, 6 hours, 52 minutes. More By Filtr .
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Listen to The Best Yacht Rock Songs (That Don't Suck) by Rolling Stone on Apple Music. Stream songs including "FM", "Minute by Minute" and more. ... Yacht Rock actually resulted in some amazing pop music beyond Christopher Cross' "Sailing." Here are tracks that define the genre's rich, jazzy textures and irresistible melodies. Song.
Yacht Rock Sets Sail With Help From a 2005 Web Series Before 2005, people generally placed Toto 's " Africa " and Holmes' "Escape (The Pina Colada Song)" in the soft rock genre.
10. "Summer Breeze" (1972), Seals & Crofts". Long considered one of the great "summer songs" ever recorded. And summer-themed tunes from the 1970s tend to lend themselves to the yacht rock moniker ...
If you don't love songs about boats, one-night stands, and breezy California nights, you've come to the wrong place. Yacht Rock embodies the singer-songwriter soft rock that dominated FM radio playlists in the '70s. Combine slick L.A. production, earnest singing, and a touch of lite-country songwriting, and chances are, you had a Top 40 hit. These are the best of them.
Believed by many to be the quintessential yacht rock song, this track, which hit No. 1 on the Billboard Hot 100 chart, has it all: a sharp-yet-mellow singing voice, drifting musical melodies, and ...
8. "I Can't Go for That (No Can Do)" by Hall & Oates. A sultry, funk-infused hit, "I Can't Go for That (No Can Do)" by Hall & Oates, showcases the duo's signature blend of pop and ...
According to AllMusic, Yacht Rock is a broad music style and aesthetic commonly associated with Soft Rock, one of the most commercially successful genres from the mid-1970s to the mid-1980s.Drawing on sources such as Smooth Soul, Smooth Jazz, R&B, and Disco. Meanwhile, common stylistic traits include high-quality production, clean vocals, and a focus on light, catchy melodies.
70s 80s Soft Rock for a day on the boat. Island tunes, chill summer hits smooth sailing while jamming to hits from Earth, Wind & Fire, TOTO, Looking Glass, B...
Yacht rock, a subgenre of soft rock that emerged in the 1970s and 1980s, gained popularity for its smooth melodies, polished production, and laid-back vibe. The genre was characterized by a fusion of elements from pop, R&B, jazz, and soul music. Yacht rock songs often featured catchy hooks, lush harmonies, and intricate arrangements.
Playlist · YACHT ROCK | TOP 100 SONGS · 153 songs · 52.9K likes
Yacht Rock. Series: Piano/Vocal/Guitar Songbook. Format: Softcover. Artist: Various. Price: 24.99 (US) 32 smooth and mellow songs arranged for piano, voice and guitar, including: Baby Come Back • Come Sail Away • Doctor, My Eyes • Escape (The Pina Colada Song) • How Long • I Keep Forgettin' (Every Time You're Near) • Peaceful Easy ...
This week we take a deep dive into the soft rock hits of the late '70s and early '80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champagne on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 ...
It was great to see Michael McDonald back with them, playing keys and singing leads on select songs. That iconic voice has weathered like bluff granite and is still unmistakable. I'm a huge fan of his voice and it's the soundtrack for my summer (SiriusXM Yacht Rock station bumper: "If you changed your wi-fi network name to Michael ...